This week, Kerri and Katie attempt to discuss the first four episodes of season 4 of Orphan Black.
Kerri: Well, Katie, welcome back to Clone Club. While we’ve lost most of the Castor Clones this season (thank god, or whatever higher power you pray to as a Neolutionist – science, I guess?), we’ve gained some Leda clones, namely M.K., aka Mika, aka Veera Suominin. We’ve also made it to episode 4, “From Instinct to Rational Control”, in this fourth season and we’re veering toward what is likely to be the story arc of this year, that of the Brightborn project and a new nemesis in the form of the luminous and way too perfect looking, Evie Cho. I know you planned on doing some “research” before staring this Roundtable, Katie. With that additional knowledge in mind, would you like to give a general rundown of where we are in this sprawling story, if that’s even possible? Continue reading
Over the holidays we decided to treat ourselves to some quality shows by doing another round of TV Secret Santas. This time, instead of picking shows for each other, we all wrote down the names of various shows (which we had either seen and wanted others to watch or hadn’t seen at all) and did a random blind pick out of a Santa hat (or in our case a Ziploc bag). This week Katie discusses her pick, Project Runway, Season 14.
You’ve done it again, Netflix! Thanks for another great comedy. I’ll add Master of None to one of my favourite comedies of the year (a list which includes Orange is the New Black, Unbreakable Kimmy Schmidt, and Wet Hot American Summer: First Day of Camp, three other Netflix originals.) Someone high up in the comedy department at Netflix is hiring the right people then giving them the freedom to dream up and create auteur works of TV. In this instance, Aziz Ansari and Alan Yang have created a moody but funny 10 episode comedy: Master of None. Continue reading
This week, Kerri and Katie attempt to discuss season 31 of Survivor: Cambodia – Second Chance. This season features returning players that are all back for a second time, or “redemption” as Jeff Probst likes to remind us.
Joe, with the advantage of being super human (and the advantage of standing on an incline. Come on survivors, try to keep up with Joe).
This week I am writing in defence of watching less TV. I’m not out to shame or blame or screech that “TV is bad for you!” This week, think of me as your childhood caregiver, the person who delivered you a grilled cheese sandwich and lovingly told you to sit further away from the TV set. I f’ing love to watch TV, so if you love watching TV too, understand that this essay is written from the perspective of a benevolent slob. One time I watched the entire series of How I Met Your Mother, and then when I was done, I started watching it again a few days later. I don’t even love that show. It’s just pretty good. Continue reading
Remember when it used to be acceptable for a TV show to air a turd of an episode – an episode that had a loose frame but only 5% new content? Ah the clip show, that hated episode wherein the characters reminisce about past hijinx and the viewers relieve those once funny moments out of context. Why did they do it? Was airing a terrible episode really better than simply airing nothing that week? Folks, welcome to my Katie Man clip show!!!!
If you were a fan of the movie, Wet Hot American Summer, then I’m sure you’ll be a fan of Wet Hot American Summer: First Day of Camp, the new, 8-episode Netflix series. If you’ve never seen Wet Hot American Summer, like I hadn’t before a few weeks ago, then welcome to this review. Continue reading
It’s summer and it’s wedding season. This week I watched a bunch of cool stuff in between editing wedding videos, so in honour of all the people I’ve seen kiss in front of their families, here is a wedding themed blog post. (Spoiler, there will be no further talk of weddings.) (Secondary spoiler, there won’t be any actual spoilers.) Continue reading
This week Kerri and Katie attempt to discuss the penultimate episode of season three of Orphan Black.
For the second week in a row, the Golden Age of Television is reviewing a mystery. The title of this article could be, “Guys! Something Shot in Manitoba is ACTUALLY REALLY GOOD!” or, “I Never Thought I’d Like a First-Run-Syndicated Detective Procedural Set in 1880’s Kansas” or, “If You’re Looking For A Show To Watch With Literally Any Family Member, The Pinkertons Is It.”
Set in post-civil war, pre-prohibition era America, The Pinkertons takes place in the Wild West, where all of the drinking, shooting and gambling requires the constant presence of sheriffs, US marshalls and detectives. The Pinkerton Detective Agency sets up shop in Kansas City, where there are plenty of murders to go around and money to be made by solving them. Continue reading